A workplace comedy about an advertising genius whose unorthodox methods and unpredictable behavior would get him fired… if he weren’t the boss. Simon Roberts is the head of a powerful agency, with the biggest clients and brands in the world, but even more important to him is that his daughter Sydney is by his side. As his partner, Sydney is Simon’s exact opposite – focused, organized and eager to make a name for herself, but also too busy parenting her father, which she’d resent if he wasn’t so brilliant at what he does. Joining them in the firm are the dashing and talented Zach; art director Andrew, who’s as hard-working as he is neurotic; and the beautiful and deceptively smart assistant Lauren. With his team and his daughter behind him, Simon continues to set the advertising world on fire, and it looks like they are definitely buying what these crazy ones are selling.
Simon’s hatred for all things related to St. Patrick’s Day is exacerbated when Andrew’s rowdy and spirited sisters descend on the office to celebrate the holiday.
Simon’s desperation for grandchildren forces him to interfere with Sydney’s new relationship. Meanwhile, Zach and Andrew try working with other partners.
Simon offers to throw a client’s son’s Bar Mitzvah, but Zach’s run-in with the only woman he’s ever loved may upend the festivities.
|2/6/2014||Dead and Improved|
A woman asks Simon to eulogize her deceased father, a jingle writer who was not a well-liked man.
|1/30/2014||Simon Roberts Was Here|
Andrew and Zach try to help Simon get his groove back following a creativity contest defeat; Sydney fears her new attachment to a cat will interfere with human relationships.